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Cite de la Musique |
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Another view |
The introduction to the exhibit focuses on the origins of the term "Great Black Music" and the back-and forth development of the various sounds from America and Africa.
Everyone was given a head set and smart phone in one's language of choice, as most of the exhibit was music and narration. The exhibit started with a room featuring small play stations, where one listened to a biography interspersed with music and an video of 21 "Legends of Black Music". They included jazz legends such as Duke Ellington, Miles Davis, John Coltrane, Nina Simone, Billie Holliday; African musicians such as Miriam Makeba, Salif Keits, Fela Kuti as well as Aretha Franklin, Bob Marley, and Michael Jackson. These bios were extremely well done and interesting and we were in the first room for over an hour. There was a real focus on the musicians' role in social justice movements. Most of the American artists chosen played a role in the civil rights movement, which was discussed in the bios.
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Listening stations- lots of folks at the exhibit including a number of student groups |
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This pic was from the internet- gives an idea of the room |
Multiple screens with music from different parts of Africa
The next room was entitled "A Historic Thread" and featured a huge time line in which historic events-- some going back centuries were linked to various music styles and artists. It was a very creative approach. One could listen to a number of the listed songs on the smart phone.
One example was linking 1492, the discovery of America by Christopher Columbus, to a song by Bob Marley.
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Words from Bob Marley 1980 song Columbus from the Burning Spear album |
1930 was shown as the date when Haile Selassie became emperor of Ethiopa- this was linked to another Bob Marley album- Selassie is the Chapel.
The year 1975 was entitled Saigon, which signalled the withdrawal of U.S. troops from Vietnam. This event was linked to Jimi Hendrix's rendition of the Star Spangled Banner and Martin Gaye's "What's Going On" album.
Katrina was the event listed for 2005, with a very powerful song by John Boutte.
There was another section on "The Black Americas" as well as rooms dedicated to Disco and HipHop music and the "Global Mix", most with a narration explaining the political backdrop to the music.
We spent three hours in the exhibit-- there were definite themes about the origins of many types of black music- often created in harsh conditions (slavery, apartheid, political and economic hardship) and the cross fertilization between African, Caribbean and American styles. A very comprehensive exhibit, well worth the visit.
We headed back by Metro and got off at the Bastille stop. We checked out the concept store Merci and had a coffee at their film-themed cafe.
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Cafe at Merci |
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